In photography, a color compensating filter is a tool that enables fine adjustments to color balance, tone, or density. They come in six colors—C (Cyan), M (Magenta), Y (Yellow), B (Blue), G (Green), and R (red)—and are made of gel. Color compensating filters are used in the duplication process and are placed between the original subject and light sources.
In photography and cinematography, a filter is a camera accessory consisting of an optical filter that can be inserted into the optical path. The filter can be of a square or oblong shape and mounted in a holder accessory, or, more commonly, a glass or plastic disk in a metal or plastic ring frame, which can be screwed into the front of or clipped onto the camera lens.
Filters modify the images recorded. Sometimes they are used to make only subtle changes to images; other times the image would simply not be possible without them. In monochrome photography, colored filters affect the relative brightness of different colors; red lipstick may be rendered as anything from almost white to almost black with different filters. Others change the color balance of images so that photographs under incandescent lighting show colors as they are perceived, rather than with a reddish tinge. There are filters that distort the image in the desired way, diffusing an otherwise sharp image, adding a starry effect, etc. Linear and circular polarising filters reduce oblique reflections from non-metallic surfaces.
Many filters absorb part of the light available, necessitating longer exposure. As the filter is in the optical path, any imperfections—non-flat or non-parallel surfaces, reflections (minimized by optical coating), scratches, dirt—affect the image.
There is no universal standard naming system for filters. The Wratten numbers adopted in the early twentieth century by Kodak, then a dominant force in film photography, are used by several manufacturers. Colour correction filters are often identified by a code of the form CC50Y—CC for color correction, 50 for the strength of the filter, Y for yellow.
Optical filters are used in various areas of science, including in particular astronomy; they are essentially the same as photographic filters, but in practice often need far more accurately controlled optical properties and precisely defined transmission curves than filters exclusively for photographic use. Photographic filters sell in larger quantities at correspondingly lower prices than many laboratory filters. The article on optical filters has material relevant to photographic filters.
In digital photography, the majority of filters used with film cameras have been rendered redundant by digital filters applied either in-camera or during post-processing. Exceptions include the ultraviolet (UV) filter typically used to protect the front surface of the lens, the neutral density (ND) filter, the polarizing filter, and the infrared (IR) filter. The neutral density filter permits effects requiring wide apertures or long exposures to be applied to brightly lit scenes, while the graduated neutral density filter is useful in situations where the scene's dynamic range exceeds the capability of the sensor. Not using optical filters in front of the lens has the advantage of avoiding the reduction of image quality caused by the presence of an extra optical element in the light path and may be necessary to avoid vignetting when using wide-angle lenses.
Appropriate color conversion filters are used to compensate for the effects of lighting not balanced for the film stock's rated color temperature (usually 3200 K for professional tungstens and 5500 K for daylight): e.g., the 80A blue filter used with film for daylight use corrects the perceived orange/reddish cast of incandescent photographic photoflood lighting (for which the usual photographic term is "tungsten lighting") and significantly improves the stronger cast produced by lower-temperature household incandescent lighting, while the 85B will correct the bluish cast of daylight photographs on tungsten film. Color correction filters are identified by non-standardized numbers which vary from manufacturer to manufacturer. The need for these filters has been greatly reduced by the widespread adoption of digital photography, since color balance may be corrected with camera settings as the image is captured, or by software manipulation afterward.
Color conversion filters (LB filters) must be distinguished from color correction filters (CC filters), which filter out a particular color cast f.e. caused by the Schwarzschild effect etc.