Color-Timed Master

A fully color-graded version of the movie that uses the high-resolution source footage.

In film production, a color-timed master refers to a fully color-graded version of the movie that uses the high-resolution source footage.

Color grading is the process of improving the appearance of an image for presentation in different environments on different devices. Various attributes of an image such as contrast, color, saturation, detail, black level, and white point may be enhanced whether for motion pictures, videos, or still images. Color grading and color correction are often used synonymously as terms for this process and can include the generation of artistic color effects through creative blending and compositing of different images. Color grading is generally now performed in a digital process either in a controlled environment such as a color suite or in any location where a computer can be used in dim lighting.

Color timing is used in reproducing film elements. "Color grading" was originally a lab term for the process of changing color appearance in film reproduction when going to the answer print or release print in the film reproduction chain. By the late 2010s, this film grading technique had become known as color timing and still involved changing the duration of exposure through different filters during the film development process. Color timing is specified in printer points which represent presets in a lab contact printer where 7-12 printer points represent one stop of light. The number of points per stop varied based upon negative or print stock and different presets at Film Labs.

In film production, the creative team would meet with the “Lab Timer” who would watch a running film and make notes dependent upon the team's directions. After the session, the Timer would return to the Lab, and put the film negative on a device (the Hazeltine) that had preview filters with a controlled backlight, and pick the exact settings of each printer point for each scene. These settings were then punched onto paper tape and fed to the high-speed printer where the negative was exposed through a backlight to a print stock. Filter settings were changed on the fly to match the printer lights that were on the paper tape. For complex work such as visual effects shots, "wedges” running through combinations of filters were sometimes processed to aid the choice of the correct grading.

This process is used wherever Film materials are being reproduced.

Color-Timed Master
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