MIDWAY: Laurent Taillefer - VFX Supervisor - Scanline VFX. How did you approach the massive attack of Pearl Harbor? The early previz, and the editing of the n Cam real-time viz were very helpful in allowing us to narrow down the builds, so we could focus on what would be on camera only. Another key in delivering this sequence came down to our layout pipeline, which allowed Ashley Blyth team to place practical elements interactively in the scenes, while they would publish to compositing and effects.
Our texture lead Marie-Pier Avoine and CG supervisor Kazuki Takahashi took on this challenge, and by the end of the project, each new asset coming in was almost automatically translated into our pipeline. While we rely on Mari quite heavily, we used MIDWAY to incorporate Substance into our….